In an evening of strong entries and difficult choices at the first Eurovision semifinal in Kyiv, eight acts were nixed and 10 sent on to the finale on Saturday.
A number of this year’s favorites performed in the first semi final in Kyiv on Tuesday evening. Qualifying for the final round on Saturday were Sweden, Belgium, Cyprus, Portugal, Poland, Armenia, Azerbaijan, Moldova, Australia and Greece. Failing to take the hurdle were Iceland, the Czech Republic, Albania, Slovenia, Montenegro, Latvia, Georgia and Finland.
The acts earned scores based on points awarded by national juries the evening before and televoting during the live broadcast. While votes were being counted, Ukranian singer Jamala performed a special version of last year’s winning song, “1944,” and another Ukranian ESC winner, Ruslana, appeared as well.
Breaking with Eurovision tradition, this year’s entries include not a single freak show or content of deliberately poor taste, just contenders who all seem to take the contest very seriously and a number of entries that are arguably as strong as past ESC winners.
The show and the audience mood gave no indication that this 62nd Eurovision Song Contest is taking place in a country where a war is going on. The only reflection of Ukraine’s ongoing conflict with Russia is the latter country’s absence.
Russia is boycotting the event after Ukraine prevented its contestant from entering the country, due to her past illegal stay in Russia-annexed Crimea. For politicizing the contest, both Ukraine and Russia may be penalized by the European Broadcasting Union (EBU), which hosts the event, including a possible exclusion from future competitions.
One of the surprises of the evening was the qualification of Isaiah from Australia, who gave a strong but not flawless rendition of the song “Don’t Come Easy.” At age 17, the singer has already racked up chart successes in Europe.
Isaiah, who comes from a family of 12 children, is the first Aboriginal Australian to represent his country at the contest. This is the third year that Australia has participated, and each time it has qualified for the final.
Surprises and disappointments
An infectious combination of dance beats, violin and sax put Moldova’s SunStroke Project over the top. The group has already earned considerable recognition through a 10-hour clip of group member Epic Sax Guy, which was posted on the internet in 2010 and yielded 26 million views. Their ESC song “Hey, Mamma!,” a serenade to a mother-in-law, is pure fun and has a nice beat. Whether immodest or ironic, the group’s statement stands: “We are world champions in performing arts and we are the most funny people in the world!” The song certainly has plenty of good cheer.
Those who follow Eurovision for the music and not the spectacle will be pleased by the success of Belgium and Portugal. Belgium’s Blanche sang the chilling indie number “City Lights” as though something were truly at stake, and Salvador Sobral of Portugal’s rendition of the love ballad “Amar Pelos Dois” was soft and tender, yet jarringly edgy and probably the most distinctive among this year’s entries. The song’s title translates to “Love for Two” and was written by the singer’s sister, Luísa Sobral.
Disappointing to many was the non-success of arguably the evening’s most proficient vocal artist, Martina Barta from the Czech Republic. Many will be sad that this was the last airing of her beautifully sculpted vocal lines in the song “My Turn.” Also dropping out was Finland’s dreamy entry “Blackbird” as performed by the duo Norma John. A duo for 15 years, singer Leena Tirronen and pianist Lasse Piirainen entered the ESC finals in Finland on a fluke. Now many across Europe will want to hear more from them, even though they’ve now fallen out of contention in the immediate race.