By Wally Sarkeesian

Great christmas gift

This book is the first English language study of Armenian cinema. It is divided into twelve chapters, followed by an appendix on animation.
Chapter 1 explores the birth of cinema in Armenia in 1899 with a screening in Yerevan and provides the setting for the following survey.

Chapter 2 is dedicated to the founder of the Armenian cinema, Hamo Beknazaryan, whose work represents an entire era not only of Armenian but also in Soviet cinema, since his name stands alongside those of Eisenstein, Pudovkin, Dovzhenko, and other great filmmakers.

Chapter 3 concerns other works created during the silent period in Armenia.

Chapter 4 discusses the processes of Armenian cinema in the Stalin era, broadly covering the period from 1930 to 1959. New filmmakers appeared on the stage during those years. The role of the short film genre is mentioned, as well as films that were shelved by Soviet censorship.

Chapter 5 analyzes the most significant films for the subsequent rise of Armenian cinema as well as musical films.
Chapters 6 and 7 are devoted to prominent filmmakers, Sergei Parajanov and Artavazd Peleshyan, subjecting their works to theoretical and morphological analyses. read more…

To Purchase: http://www.mazdapublishers.com/book/an-overview 

Availability: In stock
Published: 2016
Page #: xviii + 242
Size: 7 x 10
ISBN: 978-1568593029
plates, appendix, bibliography, index, notes

Siranush Galstyan
Professor Siranush Galstyan received her degree from the Yerevan State (the former Yerevan State Polytechnic Institute) in 1991. In 1999 she graduated from the School of History of Cinema, Theory and Film Criticism at the Yerevan State Institute of Theater and Cinema. In 2008, she completed her doctoral thesis “Metaphors, Symbols and Allegory in Armenian Cinema,” at the Institute of Arts in the Academy of Sciences of Armenia in Yerevan. Since 1995, she had been contributing critical and theoretical articles to various newspapers and magazines in Armenia. Some of her work has also been published abroad. Beginning in 1999, she has lectured on the History of Film at the Yerevan State Institute of Theater and Cinema and, since 2002, at the Yerevan State University. She has been a member of the FIPRESCI since 2000 and the Union of Cinematographers of Armenia since 2007. She has also participated as FIPRESCI jury member at different film festivals.

Video-Interview, Armenian Cinema Book Overview, with Prof. Bournoutian