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Portrait of cartoonist Marianna Grigoryan threatened with death after criticizing her government New article

February 23, 2018 By administrator

Marianna Grigoryan

Marianna Grigoryan runs the Armenian satirical newspaper Medialab, which is very critical of the government and is struggling to appear. She has recently been the subject of death threats via social networks, but has no protection, while the author of the threats, once identified, has not been concerned.

” From the beginning, people from the government have been trying to figure out what my price would be to keep quiet. But they quickly realized that we were not playing this game . In the writing of her satirical journal, Medialab, standing in front of a wall covered with the twenty or so international awards she received for her work, Marianna Grigoryan did not part with her determined air. The editor-in-chief, who founded her media in 2009, is not at her first attempt at intimidation: the price to pay for being independent.

However, at the end of January, these pressures took a more worrying turn. Mariana Girgoryan received death threats, via Facebook, from a man who promised him the same fate as cartoonists Charlie Hebdo. Marianna’s daughter was also targeted by the threats. The author invited them to ” live their day because there may be no others. “

Medialab had just revealed that the Armenian Foreign Ministry had spent more than 7 million drams (around 12,000 euros) on the purchase of flowers. This was all the more shocking because, at the same time, the minister was asking the Armenian population to pay money to pay the medical expenses of a wounded soldier during the Nagorno-Karabakh war. The drawing was mocking, but Marianna herself admitted: ” We have already drawn much worse things ! “

Concerned by reports of death threats against Editor @MedialabArmenia. Any threat against journalists, including online, is a threat to democracy. Hope the investigation will be swift and the perpetrator can be brought to justice. #JournoSafe #SOFJOhttps://t.co/FfP0loQyvS

— OSCE media freedom (@OSCE_RFoM) February 6, 2018

“The Ministry of Defense bought roses for 7 million drams at the end of December – That’s enough for you, is not it? (Medialab)
” I discovered the identity of the man who threatened me and on Instagram, he says he is a sniper of the army. I brought everything to the police but they did nothing , “says Marianna Grigoryan. ” The man even gave interviews, saying that I was making noise only to get money . ”

The case provoked reactions from the United States Embassy in Armenia and the OSCE, which expressed their “concern”.

In Armenia: an “imitation of freedom of the press”

Medialab never mince words: from the endemic corruption of the government to the behavior of the head of the Church of Armenia, everything passes under the murderous pencil of Marianna, of her companion Vahe Narsesyan, with whom she founded the title, and the small group of caricaturists working with them. ” We do not just do drawings. We wanted serious media with surveys and research, ” says Marianna. ” Armenian journalists are content with very poor journalism and we have to be different. More than 20,000 people follow the Facebook page of the media.

What disturbing a power that, according to Marianna, intends to keep control of most media in the country. ” In Armenia, we have an imitation of freedom of the press. But we are not free, ” says the editor. Armenia ranks 79th in Reporters Without Borders’ world press freedom index, which points to a lack of plurality in public broadcasting. And while investigative journalism is thriving on the Internet in this country, the organization denounces the fact that ” police violence remains as recurrent as it is impunity. ”

Medialab cartoon referring to an episode of 2016, when a dozen media professionals were injured by police covering the dispersal of an event. “There was no violence,” says the manager / (Credit: Medialab)
To set up her journal, Marianna invested the money she had received for a “Reporter Without Borders for Press Freedom” prize obtained in 2008. Today, her newspaper lives on a grant from the European democracy.

“I still believe that I can change the world”

Marianna Grigoryan is a confident and determined woman, bubbling with projects. When she met the man who became his companion, a common friend warned the young man: “she told him,” But be careful, because Marianna sees life in color, it will not be easy, ” reports the young woman laughing. But I think it allows me to do more, I still believe that I can change the world, “she says. Although she has a keen interest in public debate, Marianna has no sympathy for any political party, not even those of the opposition. She believes that all are corrupt.

Before creating Medialab, she worked for foreign newspapers. She notably covered the anti-government demonstrations of 2008, enamelled with violence that killed eight people. His mental health and abortion investigations were priced and weighed down to change Armenia’s abortion law.

“Either we were told we were crazy or very brave but we could not help us”

His character as a fighter allows him to overcome the difficulties that the media encounters. In 2016, Medialab aims to make an exhibition with his drawings, but the newspaper finds no place ready to welcome them. ” Either we were told we were crazy or we were very brave but could not help us ,” says Marianna. Never mind, the exhibition entitled “Not banned” will take place in the open air: the drawings are printed on t-shirts and signs to put around the neck. ” The police came several times, but I printed the law proving that we had the right to be there,” says the editor.

With success in the capital, the team travels to other cities in the country: Gyumri and Vanadzor. ” People hugged us, thanked us … We brought a new wind, they understood that we should not be afraid, ” recalls Marianna. But one evening, the editor’s car is fractured and the caricatures stored in it are stolen. She files a complaint. Many surveillance cameras were filming the car that night. Managers should not be difficult to find, says the editor. But despite these circumstances, the case is closed.

The exhibition “Not banned” was held outdoors in Yerevan, Gyumri and Vanadzor / Credit: Vardine Grigoryan MediaLab
Can not be served

Another obstacle to overcome: diffusion problems. Two years ago, the team decided to be present on paper, and not only on the Internet. She goes in search of a sales network. Marianna then receives refusal on refusal: the company which diffuses the newspapers on public transport assures it that distributing Medialab will provoke quarrels in the street; another institution is demanding an exorbitant membership fee and 50% of the revenue from the sale; finally, the local post office agrees to sell the newspaper before knowing its contents, but ends up hiding the copies.

Today, the team is trying to find an economic balance that would allow it to do without foundation funding. She will soon publish a comic strip and hopes to spread her diary via foreign NGOs. ” I do not know yet how we will do. But as always, I hope, says Marianna Grigoryan. ” I know we are important and dangerous to power, otherwise he would not do all that to stop us . ”


Filed Under: Articles Tagged With: cartoonist, Marianna Grigoryan

Works by Egyptian Armenian cartoonist to go on display in Cairo

December 28, 2017 By administrator

Works by the late Egyptian Armenian cartoonist Alexander Saroukhan will go on display in Cairo on January 10. The exhibition titled “Echoes of Past Visions” will run through February 19, 2018, Egypt Today reported.

This is the second edition in a series of exhibitions on Saroukhan’s legacy. The previous was called “Political Comedy”, which showcased dozens of examples of the artist’s work done between 1930 and 1970.

“Echoes of Past Visions” will collect 35 original drawings of the artist that primarily relate to Egypt’s internal and foreign policies, along with comments on world events from nearly 50 years ago that are still relevant today, such as the Jerusalem conflict.

Born on October 1, 1898 in an Armenian town under the Russian Empire, Saroukhan is considered to be one of Egypt’s first cartoonists, helping to pioneer the art form as a type of important political commentary within the region. He moved with his family to Turkey’s capital of Istanbul in 1909, Saroukhan created a small newspaper with his brother – his first foray into his future career.

Upon going to study at the College of the Mekhitarists with his brother, the Armenian Genocide in 1915 forced them to stay after graduating. After his parents died, the only thing left was his art. Saroukhan focused on drawing until the end of the war, where he worked as a translator for the British Army until 1921.

Saroukhan passed away on January 1, 1977. His artwork is currently shown at the Tate Modern Museum in Liverpool.

Filed Under: Articles Tagged With: Armenian, cartoonist, Egyptian

LUCINE KASBARIAN REVEALS THE POWER OF POLITICAL CARTOONS IN CHANGING HEARTS, MINDS AND HISTORY

November 20, 2017 By administrator

New York, NEW YORK — On Sunday, November 12, 2017, journalist and cartoonist Lucine Kasbarian delivered an unprecedented talk on the Armenian lecture circuit with a highly informative and entertaining presentation, “Armenians & Political Cartoons.”
 
An audience of some 60 persons gathered at St. Illuminator’s Armenian Apostolic Cathedral in New York were exposed to a comprehensive survey of sharp-witted, insightful and thought-provoking work by diverse cartoonists spanning many eras in Armenian life—vivid proof of the old adages “the pen is mightier than the sword” and “a picture speaks 1000 words.”
 
At the conclusion of the presentation, Rev. Mesrob Lakissian, pastor of St. Illuminator’s, which co-sponsored the event with the Hamazkayin Armenian Educational & Cultural Society’s Eastern Regional Executive, obviously struck a chord with the audience when it responded with sustained applause to his comment, “I really learned something new today.”
 
The event began with glowing introductions by Rev. Lakissian and Arevig Caprielian, chair of the Hamazkayin Eastern Regional Executive. Then Kasbarian took to the lectern, quickly demonstrating her mastery of the material, both in English and Western Armenian, as well as her passion for this art form in the proverbial toolbox of public persuasion.
 
In tandem with the images projected on the screen, she first described the origins of political cartooning with early examples from Europe and the United States. She outlined the history of cartooning among the Armenians, and showed examples of cartoons that Armenians and non-Armenians have been producing about the Armenian Cause and related subjects. Kasbarian also explained how she herself began creating political cartoons following the murder of Hrant Dink in 2007 and offered examples of her own work, some of which are in her newest book, Perspectives from Exile.
 
Drawing from hundreds of political cartoons in her collection, which she singlehandedly and laboriously researched from an array of sources, Kasbarian spotlighted Armenian artists such as Alexander Saroukhan, Massis Araradian, Krikor Keusseyan, Vrej Kassouny, MediaLab artists and others, including herself. These examples dealt with such topics as Armenia-Diaspora relations, Genocide reparations, presidential and parliamentary elections in Armenia, the war in Artsakh, and corruption and domestic violence in Armenia.
 
She also featured the works of non-Armenians such as Khalil Bendib, Arend van Dam, Carlos Latuff, Kaniwar Zidan and several others, including Kasbarian herself, whose cartoons dealt with the Armenian Genocide, the megalomania of Turkish President Erdogan, Turkey’s support of ISIS and Turkey’s aspirations to join the EU.
 
Kasbarian went on to furnish examples from history of how satirical cartoons mobilized the people to act as agents for positive change. She pointed out that political leaders who abused their power have often persecuted cartoonists precisely because the latter’s satirical work was so successful in targeting and exposing these politicians.
 
When asked about public reactions to her political cartoons, Kasbarian said that the responses have been overwhelmingly positive. She noted that “sometimes, Diasporan Armenians — including writers and cartoonists producing works that are unflinchingly critical of the Armenian government — are called ‘too critical’ of a still-fledgling nation 26 years after asserting its independence from Soviet rule.” Even so, Kasbarian said that the sentiments coming out of Armenia by its citizens, writers, and particularly the cartoonists shown during this presentation, “are often far more unapologetically critical of their government than we in the Diaspora are.”

In addition to her new book, Perspectives from Exile, Kasbarian has produced the award-winning books Armenia: A Rugged Land, an Enduring People and The Greedy Sparrow: an Armenian Tale.  She was also a consulting editor and contributor for a special publication called The Armenian-Americans. Kasbarian is a graduate of the NYU Journalism program and studied cartooning at the NY School of Visual Arts.
 
Kasbarian has already presented a modified version of “Armenians and Political Cartoons” to students in the metropolitan New York and Boston areas and is currently planning subsequent presentations in other venues.
 
 

 

Filed Under: Articles, Books Tagged With: cartoonist, Journalist, Lucine Kasbarian

Turkey Hürriyet cartoonist Latif Demirci draws

January 6, 2015 By administrator

n_76540_1Daily Hürriyet cartoonist Latif Demirci has drawn the four former Turkish ministers who were controversially cleared in the parliamentary inquiry commission vote on Jan. 5. The four ministers were embroiled in the huge corruption case that caused an earthquake in Turkish politics in late 2013.

Filed Under: Articles Tagged With: cartoonist, Turkey

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