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Iconic Armenian church survives war but not plunder in Turkey

December 22, 2017 By administrator

By Mahmut Bozarslan,

DIYARBAKIR, Turkey — In the 1950s, the Turkish state returned the centuries-old Surp Giragos Armenian Church in Diyarbakir to the city’s Armenian community, after having used it as a warehouse for years. Armenian writer Migirdic Margosyan, a native of Diyarbakir, describes how ironsmiths, carpenters, painters and goldsmiths from the city’s “Infidel Quarter” joined hands to “revive that wreck” and reopen it quickly to worship, keen to preserve “the legacy of their ancestors.”

Little could the volunteers have known then that the ordeal involving the largest Armenian church in the Middle East was far from over. By the early 1980s, Surp Giragos was a church without a congregation as Diyarbakir’s Armenians dwindled away. Abandoned to its fate, the church fell into decay. When a new restoration began in 2008, only its walls were standing, with the windows broken, the roof collapsed and the interiors filled with soil.

During the three-year restoration, every corner of the church was meticulously repaired. An expert craftsman — one of only three left in Turkey — was brought to Diyarbakir and worked for half a year to renovate and complete the seven altars. The overhaul was crowned with a new church bell, brought from Russia. As services resumed, the church became a meeting point for Armenians — natives of Diyarbakir but now scattered across the world — and an attraction for tourists visiting the city.

This new atmosphere, however, was short-lived. In the fall off 2015, security forces cracked down on urban militants of the Kurdistan Workers Party, who had entrenched themselves behind ditches and barricades in residential areas in Sur, the ancient heart of Diyarbakir, where the church is nestled. Only months before the clashes erupted, UNESCO had put Sur on its World Heritage list.

The militants used the church as an emplacement and infirmary to treat their wounded, as evidenced by the medical waste found later inside. As the security forces advanced, the militants left the church, and this time the security forces used it. After the monthslong clashes, the church emerged with its yard walls ruined and riddled with bullets. Still, the Armenian community took solace in the fact that the church itself was standing. The authorities promised to repair the church and return it to the community.

The church was presumed to be under protection since the area remained sealed off even after the clashes ended in March 2016. Since then, however, the church has become the target of thieves, who broke in twice and stole various objects. How the thieves managed to sneak in remains a mystery, for even members of the church board need official permission to enter.

Most recently, a more malicious intruder — or intruders — broke into the church, apparently with a sledgehammer that was used to smash altars and reliefs. Armen Demirciyan, who used to work as a caretaker at Surp Giragos, said the news of plunder and desecration “cut him to the bone.”

He told Al-Monitor, “We had one place here and it is now gone. I am devastated. We had so many valuable things — they are all gone. We had an antique rifle — they have stolen it. They have broken the altars and stolen the books. In short, the place has been ravaged.”

For Demirciyan, the loss is not only about a church, but also about a meeting point for a community scattered across the world. “We worked so hard to restore it and now all our efforts have gone down the drain. It was a place that brought us [Armenians] together,” he added.

After news of the latest assault, Aram Atesyan, the Istanbul-based acting patriarch of Turkey’s Armenian community, flew to Diyarbakir in late November to inspect the damage. Visibly shaken after the visit, he said, “They have broken everything with a sledgehammer. It had taken three years to make those handmade ornaments. The altars are all broken to pieces.” What was ravaged, he stressed, is not solely an Armenian house of worship but a historical monument that belongs to Turkey. “Those monuments are the riches of the entire country,” he said. “This place does not belong only to us — it belongs to this state and these lands.”

Gaffur Turkay, a member of the church board and a resident of Diyarbakir, witnessed how the church fell into decay in the 1980s and then was reborn half a decade ago. “We were so moved, so full of hope after we brought the church … back into magnificent shape. We would go there every day just to sit and take care of it,” he told Al-Monitor.

Turkay was among those who inspected the damage after the clashes. “The church was on its feet. At least its basic elements — the walls, the roof and the tower bell — were intact,” he said. Despite some damage in the interior, the board was content that the edifice survived the clashes in much better shape than the Armenian Catholic Church and several mosques nearby, he noted.

Turkay said that as the uncertainty in Sur dragged on and the area remained off-limits to residents, “We got permissions from time to time to check on the church. In the past three or four months, we began to discover new damage each time we visited the church. We informed the authorities several times and asked them to find a solution but, unfortunately, the rings of the columns were ripped off first and then the altars were shattered with hammers. All figurines, reliefs, paintings and other materials were ransacked.”

For Turkay, the fact that hammer-wielding vandals could enter and damage the house of worship while members of the church board could only go there after receiving permission is a bitter pill to swallow.

Journalists, for instance, need permissions from various institutions in both Diyarbakir and Ankara to take pictures or film inside Surp Giragos, and sometimes even those permissions are not enough. Last year, this reporter witnessed how policemen standing on guard at the corner of the church turned away a foreign television crew, although it had obtained permission to film in the area. Curiously, the intruders are able to elude the security measures.

“Only construction workers can enter [Sur]. A very limited number of people can go and they are all under the control of the authorities,” Turkay said. “If this beautiful structure is going to be missing something else each time we go, this is a very serious problem.”

Mahmut Bozarslan is based in Diyarbakir, the central city of Turkey’s mainly Kurdish southeast. A journalist since 1996,

Filed Under: Genocide, News Tagged With: Armenian, armenian genocide, Church, Diyarbakir, iconic

4th digital exhibit ‘Iconic Images of Armenian Genocide’ launched

March 23, 2015 By administrator

189712The Armenian National Institute (ANI), Armenian Genocide Museum of America (AGMA), and Armenian Assembly of America (Assembly) announced the launch of a fourth digital exhibit entitled ‘Iconic Images of the Armenian Genocide’ that brings together as a single collection key images recording the brutal mistreatment of the Armenian population of the Ottoman Empire and the utter destruction of their historic communities.

The exhibit is designed to serve as an easily accessible educational tool that can be displayed in the classroom in digital or print format.

As more and more photographs of the Armenian Genocide are uncovered, and as the ‘Iconic Images’ exhibit illustrates, the general outline of the main events that defined the genocide can now be illustrated with compelling and dramatic images that survive from that era. Many of the images were taken in the teeth of a strictly enforced ban on photography by the Ottoman authorities. Other photographs capture the aftermath of the atrocities as witnessed by third parties.

Many invaluable pictures were destroyed during the war years and what remain are today scattered across continents. In view of how much was lost, these photographs are also survivors, many waiting for the time when they would be identified and reconnected to the events to which they attest.

These scattered images are now gathered and organized into a narrative exhibit that reconstructs many episodes of the Armenian Genocide. Together they recreate a sense of the terror exercised by the Young Turk regime and reveal the extent of the dispossession and decimation of the Armenian people in their historic homeland.

The photographs were collected from numerous repositories, sources and individuals, including the US National Archives, Library of Congress, Near East Foundation, Oberlin College Archives, University of Minnesota Library, California State University Fresno Armenian Studies Program, Republic of Armenia National Archives, Armenian Genocide Museum-Institute, AGBU Nubarian Library, Armenian Assembly of America, Armenian National Institute collections, Maurice Kelechian, and National Geographic photographer Alexandra Avakian.

“The exhibit creates a panoramic view of the entire duration of the Armenian Genocide,” stated ANI Director Dr. Rouben Adalian. “All facets of the genocide that the photographic record allows, ranging from the deportations, executions, massacres, murders, starvation, extermination and destruction, are reconstructed panel by panel.”

“The exhibit also documents the immediate aftermath of the atrocities, attesting to the catastrophic ruination of Armenian society in the Ottoman Turkish Empire,” added Dr. Adalian. “With panels displaying photographs of survivors, rescued women, homeless children and refugees, the scale and depth of the uprooting of the Armenian people is revealed.”

Among the iconic images are also the rare pictures of concentration camps where deportation and extermination became synonymous. The postwar refugee camps where survivors gathered are hauntingly reminiscent in appearance of these concentration camps. In the refugee camps, however, located beyond the borders of modern-day Turkey, a generation of Armenians scarred by the atrocities began life anew in exile, making their locations the beginning points of the Armenian Diaspora.

The exhibit recalls as well the humanitarian activities of American philanthropists who organized critically needed relief, especially on behalf of the tens of thousands of orphans who were gathered, housed, fed, and educated in orphanages operated by the Congressionally-chartered Near East Relief organization.

The principal perpetrators of the Armenian Genocide, the Young Turk triumvirate of Enver, Talaat, and Jemal, are also included, and their infamy contrasted with the moral voice of those who condemned the massacres, such as Theodore Roosevelt, Henry Morgenthau, and James Bryce.

The exhibit concludes with prominent memorials to the Armenian Genocide as a reflection of the commitment of the Armenian people the world over to remember and honor the victims of genocide. Concluding the exhibit are pictures of the memorial chapel of Deir ez-Zor, in present-day Syria, before and after its destruction, as a reminder that the legacy of the Armenian Genocide remains unresolved and continues to be violently challenged.

“With a symbolic 100 images in all, across 20 panels, and a map, ‘Iconic Images of the Armenian Genocide’ illustrates the scale of the Young Turk program to eradicate the Armenian people from its homeland, while reconstructing the multiple facets and lasting consequences of the deportation, massacre, and exile of the Armenians,” continued Dr. Adalian.

“By gathering and organizing these key photographs a comprehensive picture of the Armenian Genocide has been reconstructed,” said Adalian, “that will serve educators as an instructional guide for teaching about human rights and the consequences of their violation as applied to an entire people in the form of genocide.”

“The exhibit,” stated ANI Chairman Van Z. Krikorian, “was created to honor the exemplary figures in the United States diplomatic service whose conscientious reporting remains a permanent testament to the horrors of the Armenian Genocide, among them Jesse B. Jackson, U.S. Consul in Aleppo; Leslie A. Davis, U.S. Consul in Harput; Oscar Heizer, U.S. Consul in Trebizond; George Horton, Consul-General in Smyrna; and in Constantinople, Gabriel Bie Ravndal, Consul-General; Hoffman Philip, Chargé d’Affaires; Abraham I. Elkus, Ambassador; and Henry Morgenthau, Ambassador.”

“The response to the prior exhibits has been greatly encouraging, and their widespread use is exactly what we intended by making these materials accessible for free,” Krikorian said. “We are pleased to add this latest installment to the series. I especially commend the staff of the Armenian National Institute and the Armenian Assembly of America, in particular Dr. Adalian, Joseph Piatt, and Aline Maksoudian,” concluded Krikorian.

‘Iconic Images of the Armenian Genocide,’ is the fourth in a series of online exhibits released jointly by ANI, AGMA, and the Assembly and issued for worldwide distribution free of charge.

Filed Under: Genocide, News Tagged With: a survivor of the Armenian Genocide in The World, Armenian, digital, Genocide, iconic, Images

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